Audion


Circuit Review

H.H. Scott TYPE 2550W "Scottie" AM/FM Receiver


The H.H. Scott 2550W "Scottie" offers proof positive that Scott never let go of its 'one parts bin' approach to manufacturing. An "H" chassis with two boards, the Scottie is as close to design perfection as one can get. The entire amplifier portion sits on a bottom facing board, the tuner, minus its preamplifier (like just about every receiver out there, the Scottie uses the phono stage as its preamplifier) and power supply, both integrated on the other board.

 

Since the Scottie has a tiny symmetrical output stage, a fixed a/c. and cathode bias, there's no adjustment points on the amplifier. In the absence of any technical literature to supply specifications, I rely on my instincts to tell me that this little amplifier puts out four splendid low distortion watts in class A before pooping out badly in Class B.

Four class A watts being sufficient, I connected the Scottie to the Quad ELS. Like the Stereomaster 341 that is its chronological brother (both being introduced in 1968), the Scottie is sufficient for normal amplitude listening. The Scottie utilizes a loudness curve and thus provides a bit of extra bass emphasis, which the Quads love to bounce out. Because the loudness setting is further away from optimal with the Scottie in comparison to a 382B, another e.q. compromised contemporary, an appendix-like-operation may be on the books..

The Scottie can be connected to a 12 volt battery. Coupled with a pair of screamingly efficient speakers, like Jay Bee's home built pair or my Wharfedale W3's, the Scottie could do the weekend party with plenty to spare. After all, the Scottie will give up about 10 watts per side in B2 on the sharp side of C before things fall apart badly enough to disturb Louie Louie, or Layla.

The Scottie was marketed with a sweet little pair of speakers to sensible types who heard a bargain at $200.00. Plenty of Scotties were sold for use in the professional market. The one shown here is equipped with an extra Cannon jack. It supplied a signal that could drive cable lines for miles from a receiving antenna to a retransmitting antenna. The Scottie, alignment sweetened, doubtless served well as a stereo replacement tuner for a 310C. A quick examination of the tuner p.c. board will quickly convert any skeptic. The parts quality is exceptional, and the circuits are all first line, which is to say the Scottie's a 382B, not a 341. But the Scottie betters the 382B. It has the i.c. phono stage that was introduced in the 341 and would later be reserved for premier products like the R74S.

The Scottie is a technically perfect tuner-preamplifier that has this summer-ish amplifier attached to it. The box is quiet. You can connect the loudspeaker signal to a power amplifier. Scottie won't faze it. It is quiet. I hear velvet silence through the Sennheiser 424's. That's good. But also important is the Scottie's good manners. There are no turn-on transients with it. It is because of this that the Scottie is perfect. It has all of the quality of the best Scott AM tuner as evidenced by the 382B or the 357. The front end is open, but Scott built all of the critical tunable circuits into shielded boxes and there's plenty of room for a cover to be added to provide further shielding if necessary. In fact, the only thing that separates the FM tuner from 2 uv performance is a bit of front end shielding. The tuner is otherwise as close to qualitative perfection as you can get. It looks like another piece of industrial art from Scott.

The Scottie is for me, a perfect thing. It plays loud enough into the Quads to satisfy me and my neighbours will certainly appreciate Scotty's limitations. It won't play loud into the Quads. But on the other hand, the Scottie uses very little electricity. Since electricity and audions equate heat, the Scottie is the perfect little summer amplifier. I can leave it on all of the time, fie heatwave.

Lots of Scotties found their way on to yachts. Because the Scottie shown below utilizes glass epoxy boards, it is uniquely impervious to the effects of weather. Phenolic predecessors did not do so well. Since the Scottie was made between 1968 and 1971, and Scott made a gradual switch to epoxy, some early Scotties may have been made with phenolic boards.

 
 

Scott i.c. phono stage makes the Scottie a reference piece

All of the tuner fits on to a single printed circuit board

The Cannon jack points to a professional purpose

A nicely implemented 5 transistor multiplex adaptor

The 3 cans above the tuning capacitor house the FM trim circuits

Two aluminum strips keep the output transistors cool.

 

 

 

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